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One factor that I feel works very well with The Glove is John Saxon’s narrations as Sam all through the movie. As Sam recounts the occasions seen within the movie, he comes off as a hard-boiled personal eye who’s one whiskey on the rocks away from discovering his smoking gun and having a breakthrough along with his case. My preliminary response was that that is an absolute cheese-ball solution to transfer the story ahead, however as The Glove progressed into its second and third acts, I grew to take pleasure in this narrative methodology greater than I’d care to confess.
The juxtaposition between what Sam’s saying to his cohorts and what he’s truly pondering provides depth and pressure to the story that in any other case leaves lots to be desired. I’m usually used to this narrative fashion within the context of parody (Phil Hartman’s Saturday Night Live audition tapes, for instance), but it surely works nicely for The Glove, which performs it straight.
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