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If Eliminate‘s debut album Get Off The Internet was a wild first step into uncharted territory, his newest providing is a masterful dash by way of the very frontier he helped outline.
Along with his newest album, 404: Get Off The Web [Redux], the EDM.com Class of 2021 star transforms the colourful chaos of its predecessor right into a refined, imaginative venture that captivates and thrills in equal measure.
It hasn’t but been a full yr for the reason that launch of his authentic album, however as if booting up a forgotten machine, “404 (Intro)” revs to life with evocative soundscapes. Right here, nostalgia seeps by way of layers of cinematic manufacturing, punctuated by the mechanical whirring of a dial-up tone. Turning the depth up a number of notches, it morphs seamlessly into “Thought Experiment,” a monitor that bursts to life with rapid-fire lure synths.
The heartbeat of the album beats significantly robust in “I’M ALREADY A WASTE (Poison Oak),” a daring standout. The monitor bridges eras as its upbeat drum & bass cadence races alongside pop-punk vocals that drip with youthful craving. Get rid of balances nostalgia and innovation with precision, producing a minimize that feels acquainted whereas embracing his characteristically otherworldly tones and forward-thinking manufacturing techniques.
Because the album delves deeper, “TWISTED (MOREPWR)” casts a spell of darkish attract as acid-tinged arpeggios coil like smoke round a techno beat that radiates with depth. The monitor paints a stark, industrial panorama the place each flicker of sunshine is met with encroaching shadows.
Because the venture’s nearer “ESCAPE (Get Off The Web)” involves type, it brings with it an ethereal ascent. Shimmering synths ripple throughout a euphoric association, evoking a way of freedom and surprise that’s nearly gamified in its triumphant magnificence. It’s a second of catharsis, an opportunity to exhale and mirror on one of the vital progressive albums in digital music this yr.
Hearken to 404: Get Off The Web [Redux] beneath.
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