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In an interview with Portugal’s Look Magazine, Megadeth‘s drummer Dirk Verbeuren shared his ideas on the current announcement about Megadeth starting work on new material for the follow-up to The Sick, The Dying… And The Useless!. Verbeuren expressed his enthusiasm, saying: “I am comfortable about it. I am very excited to try this once more. It was plenty of enjoyable creating The Sick, The Dying… And The Useless! And each time he is prepared, I shall be there.”
Verbeuren is especially eager to collaborate with the band’s new guitarist Teemu Mäntysaari and praised bassist James LoMenzo‘s longstanding contribution to the band’s sound: “I am comfortable to begin working with Teemu, who’s now joined the band. I believe he’ll contribute plenty of cool stuff. And, in fact, James additionally, who’s an incredible bass participant with plenty of historical past. He is already been on a few Megadeth albums earlier than, so he additionally is aware of what Megadeth feels like. And so, yeah, it is gonna be actually cool to be with these two guys. And, in fact, with Dave, simply get collectively and see what we are able to give you.”
Verbeuren delved into the collaborative course of behind The Sick, The Dying… And The Useless!, highlighting Mustaine‘s openness to enter from band members. “Dave invited us from the start to deliver concepts, whether or not it is a guitar riff, a drum beat, a lyric — something. Any concepts we had, he stated, ‘Simply put it on this…’ We now have some folders, some Dropbox folders. ‘Simply put it in there.’ Then, as we had been working collectively in 2019, we had been all collectively on this home. And he would simply take heed to a few of the stuff. And if one thing got here up that he was, like, ‘Oh, that is cool,’ then we’d work on it collectively,” he defined.
“And that is how Kiko, in fact, ended up writing fairly a superb portion of the album — some songs that he introduced after which additionally some concepts that ended up in songs along with Dave‘s riffs. And the identical for me. I’ve one riff within the track ‘Evening Stalkers’. After which the track ‘Life In Hell’, which is the second track on the album, is predicated on a demo that I additionally put there. And Dave simply favored it. He thought, ‘Oh, there is a cool concept there.’ So, he began studying it and sort of enhancing the guitar riffs and finally it was the track you realize,” Verbeuren added. “So, he was very open, and he nonetheless is — he is all the time very inviting for us to work as a band. He does not need it to be, ‘Oh, I am Dave. I am gonna let you know what to do.’ In fact, ultimately, we do all the pieces along with him, so he makes the ultimate determination, as a result of that is solely regular. But it surely’s very a lot a band course of.”
Addressing rumors about Mustaine‘s archive of riffs from the Nineteen Eighties, Verbeuren confirmed it: “Sure, he has. There is a folder that he has that has all the pieces he is ever recorded. He is sitting in 1984, perhaps, on his sofa in his residence and, like, ‘Oh, it is a cool riff. I am gonna file it.’ It is there. So, he has an enormous assortment of stuff, and we truly went by way of a bunch of these whereas we had been writing and used a few of them. Like a few of the riffs in ‘We’ll Be Again’, which is the primary single from The Sick, The Dying… And The Useless!, they go method again to the ’80s. So, yeah, it is fairly loopy.”
Reflecting on his affect on the album, Verbeuren famous his stability of honoring the traditional Megadeth sound whereas incorporating his personal model: ” It was my purpose to respect additionally and honor the Megadeth sound, as a result of all these years of music, I do know as a fan myself of the band, I wanna hear that. I do not wanna hear any person utterly ignoring what Nick Menza did with the band, or what Gar Samuelson did with the band, or any of the drummers which were there.
“They’ve all contributed to the sound and it is all been a part of the imaginative and prescient that Dave had from the start for the band. So I tailored the best way I might often play primarily based on what I discovered in my years touring with the band and actually getting very intimate information about all of the traditional songs, those we play stay, and studying all of the components. However on the similar time, in fact, I’ve injected a few of my very own taste and my very own model and my concepts. So hopefully I discovered a superb center floor.”
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