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Sofi Tukker and bread: an unlikely pair, but unusually kindred spirits within the all-you-can-eat buffet of life.
Each rise to the event, one on stage and the opposite within the oven, fermented by time and warmth. One feeds our souls, the opposite our our bodies. Sofi Tukker’s new album BREAD, nonetheless, does each.
An acronym for “Be Actually Energetic And Dance,” BREAD will launch on Friday, August twenty third. We’re sarcastically breaking bread over brunch on a sweltering Brooklyn summer season afternoon, the sort the place the subway grates spew dragon’s breath and even the pigeons appear sluggish.
Very similar to a recent baguette, the album is greatest devoured instantly, nonetheless scorching from creation. However with spicy imagery of assless chaps, microphone vibrators and fingers tracing tempting paths by hair, what occurs to your abdomen afterward—or, ahem, different physique elements—is none of Sophie Hawley-Weld and Tucker Halpern’s concern.
Nonetheless, for them, embracing outlandishness is not creative masturbation—it is evolution in motion. Regardless of their album’s not-so-subtle erotica, they’re proof of the magic that occurs when uncooked expertise and vulnerability meet.
“I really feel I am at all times on the sting of confidence and doubt,” Hawley-Weld says. “I can typically really feel actually assured about issues and have lots of doubt about them on the identical time. I simply really feel each of them, perhaps to the intense truthfully.”
It is troublesome, nonetheless, to scent even a scintilla of doubt when wanting on the robe Hawley-Weld wore for the quilt of BREAD. A masterstroke of surrealist trend, the gown was developed by CHRISHABANA, whose items have been worn by Rihanna, Woman Gaga and Madonna, amongst different music icons whose legacies are canonized by ornate, dreamlike outfits.
However even with a pedigree like that, the East Village-based artistic studio was caught off-guard by Sofi Tukker’s request to materialize their notion of bread, which the duo believes “conveys decadence, intercourse and making your self blissful.” That is in accordance with its eponymous founder, Chris Habana, who labored alongside stylist Anastasia Walker to deliver the look to life.
“In our six or so years of doing costuming, we now have been thrown lots of intriguing requests and I’ve to say this one initially threw us for certain,” Habana tells EDM.com. “However after the primary discuss, it turned such a enjoyable mission to dive into.”
Habana says the gown wanted to journey, so his crew could not use actual bread. They wished to create every adornment by scratch, however with restricted time, they needed to buy synthetic meals shows and in the end sourced a collection of faux croissants, baguettes and different bread varieties.
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Like dough leavening in actual time, a selected problem arose when Habana needed to carve up the “bread” as a way to engineer the robe’s intricate breastplate.
“Manipulating the bread to create the arched breastplate was a problem that my crew fortunately discovered the way to obtain by slicing the froth bread and wiring it on the within,” Habana explains. “The sliced bread used within the ground size skirt that got here in had been all additionally one-tone white bread. I figured it will be extra fascinating to offer them a toasted look. I ended up mixing varied brown tones of paint and rolling and layering them over frivolously on the textured surfaces. It appeared like sensible toast in the long run.”
Ultimately, it inconceivably took solely 10 days for Habana and his crew to design, assemble and ship the daring gown to Brazil for the shoot. Hawley-Weld did not even know on the time if it will match, she tells me. Possibly it was her unapologetic soul or her icy blue eyes that pierced by the veil of its absurdity—however she one way or the other pulled it off.
The robe delivered their imaginative and prescient whereas superbly reflecting the colourful music of BREAD, a sultry song-cycle of radiant home music and funk carioca with Brazilian and Portuguese influences. It additionally served as a reminder that music, trend, meals and intercourse every lose their savor when sure by too many restrictions.
If “BATSHIT” was Sofi Tukker’s postcard from the sting of sanity, BREAD is their leap off the cliff. The brand new album is what occurs when artists embrace and undergo probably the most creatively unhinged variations of themselves.
With the power to overtly discover taboo ideas by a cerebral lens, they’ve develop into masters at remodeling enjoyable, irreverent subject material into transcendental experiences for followers. Look no additional than the wild music video for the album’s lead single, “Throw Some Ass,” the place Halpern and Hawley-Weld morph into piquant provocateurs earlier than our eyes.
As hips gyrate and naked butts bounce, the profane one way or the other turns into the profound.
“We have sometimes taken dangers in movies,” Hawley-Weld says. “After I determined to have an orgasm on the aspect of a mountain with simply my guitar for a video or after we determined to do a ‘Heart For Asses That Do not Transfer Good’ with our asses out, we’re placing lots of our personal sources into these completely loopy concepts.”
Filmed on the gorgeous Palácio das Laranjeiras in Rio de Janeiro, the audacious video is a reminder why guidelines are supposed to be damaged.
“After which I at all times get actually, actually nervous and I really feel like, ‘Oh my God, what have we simply executed?”
Boldness is, in any case, the yeast that makes timeless music rise. Think about David Bowie’s chameleon-like transformations or Björk’s alien soundscapes—weirdness is a weapon in the event you wield it with intention and objective. That axiom rings very true in 2024, a time when algorithm-approved playlists and focus-grouped releases make music irretrievably stale.
Nobody is aware of this greater than Halpern, a former basketball star who says he usually felt misplaced within the locker room as he struggled to steadiness his love for the sport along with his want for self-expression. He turned his highschool’s all-time scoring chief and a McDonald’s All-American nominee earlier than taking part in school ball at Brown, the place he captained his crew.
“I used to be in a jock world,” he remembers. “I at all times had tendencies of being slightly flamboyant with my type and on the market and completely different from the opposite athletes, however I used to be nonetheless in that world and I had lots of self-consciousness. I take into consideration these sides of me and I might get lots of shit about it.”
“Seeing myself as an artist… it was a tough transition,” Halpern continues. “After I first informed individuals, ‘I need to make music, I need to be a producer, I need to be a DJ, I need to be an artist,’ they kinda laughed at you. They’re like, ‘No, you are on this field. You are an athlete, you possibly can’t try this.’ And it wasn’t till there was sufficient individuals believing in it that accepted me as an artist or accepted that I wasn’t simply an athlete pretending to be an artist. Then I began feeling the liberty to decorate how I wished, to do my hair as I wished, to only take dangers and never give a fuck.”
It paid off. When Halpern and Hawley-Weld every hacked out their very own convictions like deranged surgeons, they set Sofi Tukker as much as scale heights reached by few within the dance music scene. They prophesied this charming delirium by the primary lyric of “Benadryl,” a haunting monitor they launched again in 2018: “I misplaced my sanity with my socks.”
Simply how far they intend to go from right here stays to be seen and heard, however one factor is for certain: they’re dwelling proof that probably the most satisfying issues in life usually come from daring to deviate from the recipe.
BREAD will function 10 tracks, together with collaborations with Channel Tres and Kah-Lo. You’ll be able to pre-save the album here.
Comply with Sofi Tukker:
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Spotify: spoti.fi/37qJdQd
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