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Earlier than this Star Trek: Voyager story can attain its crescendo, we have to evaluate how McCarthy formed the music of the franchise. His musical profession started in 1980, and he scored many now-obscure TV reveals (what, you don’t keep in mind hit sequence like Goodnight, Beantown or The Barbara Mandrell Present?).
Happily for Trek followers, he additionally bought some sci-fi expertise by composing music for V: The Last Battle, the V sequence, and the ‘80s Twilight Zone.
This paved the way in which for his Star Trek profession as he would work on The Subsequent Era, Deep House 9, Voyager, and Enterprise, creating really unforgettable music.
That’s not simply our fanboy opinion, both: the composer gained a Primetime Emmy for his Deep House 9 theme (which is so good that we by no means skip the intro). On prime of that, he was nominated for 9 different Emmys primarily based on his Trek work.
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