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Deep House 9 needed to violate this central theme in an effort to give us a few of Trek’s greatest episodes, and the writers and producers had been very properly conscious that Gene Roddenberry would have disapproved of what they had been doing.
After the creator handed away in 1991, Rick Berman saved a bust of his head on his desk and would blindfold it every time writers had been discussing a subject that the franchise creator would have disliked. Presumably, that bust stayed blindfolded for the whole thing of the bloody Dominion Struggle arc, however this arc is how the present achieved true greatness.
It’s not the deal with warfare itself that makes Deep House 9 Trek’s greatest present…as an alternative, it’s the present’s constant willingness to inform us tales which are very totally different from what we obtained earlier than. For nearly as good as TNG was, the bar for expectation was comparatively low…writers and producers merely wanted to offer us extra of what made The Authentic Sequence so nice. DS9 was the primary spinoff that attempted to do a number of new issues, together with ongoing spiritual themes in every season.
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