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In a current interview on The Adventures of Pipeman, Edsel Dope, referred to as the frontman of Dope and broadly rumored to be the masked vocalist Xer0 for Static-X, shared his ideas on serving to bassist Tony Campos, drummer Ken Jay, and guitarist Koichi Fukuda protect and have fun Static-X’s legacy.
Reflecting on his historical past with Static-X, Edsel said (by way of Blabbermouth), “I used to be all the time a giant Static-X fan and the 2 bands have a lot synergy. We each got here out in 1999. In case you look again on the touring that the 2 bands did as we had been chopping our enamel, other than Ozzfest, virtually each tour that each bands did, we did collectively. It was like Static-X, Dope, Powerman 5000; Static-X, Dope, Fear Factory; Static-X and Dope and Sevendust; and Static-X and Dope by ourselves. We did 250 exhibits collectively within the span of our first album. That’s a whole lot of connectivity to those self same followers.”
Edsel defined that his years of expertise constructing an unbiased infrastructure allowed him to examine a brand new chapter for Static-X, particularly within the absence of Wayne Static. “I felt like I had an actual clear imaginative and prescient as a fan and as a pal and as a band that not like Static-X, who all the time had a significant label, all the time had a giant administration agency, with out all of that, and particularly with out their major man, Wayne there, they, for a scarcity of higher phrases, had been in very unfamiliar territory. Whereas for me, I had constructed an unbiased infrastructure over the past a number of years. And as a fan of Static-X, I checked out it sitting down with Tony and going, ’I feel I will help you guys. With the 20 years of constructing my very own unbiased infrastructure, you may form of simply put this by that very same prism. And also you guys are very near this. So I am positive you’ve got had concepts of learn how to deliver this again. However as a fan of the band, I do know what I wish to see.’”
Adapting the band’s legacy was met with combined reactions at first, however Edsel remained targeted on the aim of making an expertise that will resonate with long-time followers. “In fact, every thing’s gonna be acquired with skepticism and, like, ‘I don’t learn about this,’ and there was a whole lot of that, ‘No Wayne Static, no Static-X’ at first. However, once more, should you’re doing it for the best causes and you’ve got a imaginative and prescient for one thing that basically will help the music reside and may actually assist folks have these experiences… I understand how a lot I miss the band, and I do know that I’m considered one of hundreds of thousands of followers on the market who wished to get fucking hammered and take heed to ‘I’m With Silly’ loud and reside in a room and going, like, ‘We’re by no means gonna have these experiences once more.’ Nicely, how can we modify that and do it in the best technique to the place folks can’t really feel responsible after they’re smiling at a Static-X present?”
Edsel additionally famous that Static-X introduced a particular, energetic vibe to metallic, one which was vital to hold ahead. “As a result of at first, it’s a mourning, it’s unhappy. However that was a giant a part of it, was to maintain throwing as a lot constructive power and, for a scarcity of higher phrases, enjoyable at it, as a result of Static-X was all the time such a enjoyable band with enjoyable songs. There are a whole lot of metallic bands which might be severe. That wasn’t Static-X. Static-X was all the time this enjoyable, virtually smile-on-your-face metallic band. So it was vital for us to determine learn how to reconnect followers to that and permit them to take part in a Static-X expertise with out feeling responsible about it.”
Addressing the widespread method of changing iconic members or rebranding, Edsel felt Static-X deserved to take care of its unique identification. “Or they attempt to transfer on. They attempt to rebrand it as one thing new. And it was, like, Static-X is a legacy band, bro. You attempt to take the legacy out, what the [expletive] are you doing? You’re attempting to take the Wayne Static out of Static-X, what are you doing? Why would you try this?”
He noticed Static-X’s identification as extra than simply the music; the “evil disco” idea was now enhanced by technological advances that permit the band develop its visible storytelling. “So I don’t know. To me, it wasn’t onerous. It was simply, once more, attempting to just be sure you actually make it enjoyable and let or not it’s concerning the music. After which, with immediately’s expertise, we had been in a position to take a look at ‘evil disco’ as one thing greater than a sound and go, ‘Nicely, how will we signify the visible of evil disco?’ As a result of Static-X actually checked out in, like, 2009. So 10, 12, 15 years of expertise growth for LED screens and simply large manufacturing props that didn’t actually exist again then that you would be able to put by the evil disco filter. And there was a whole lot of actually cool, enjoyable shit to return out of that too. So I could not be extra proud and extra completely satisfied for my associates who’re capable of go on the market and proceed on with one thing that all of them labored very onerous on”
Edsel praised every unique member’s function in crafting Static-X’s sound, highlighting the group effort behind their basic album Wisconsin Dying Journey. “Static-X was — in fact, Wayne was the pinnacle chef. He was the Gordon Ramsey of it. However should you take any a kind of guys away from that first album when the band was actually defining their sound, it’s not the identical band. Think about Wisconsin Dying Journey with out Tony Campos’s voice and with out his low-end thunder. It was an enormous a part of the sound. Kenny was the man who acquired in his automotive and moved from the Midwest out to L.A. with Wayne to start out the band. That’s your accomplice in crime, dude. It doesn’t occur with out that. After which Koichi got here in on the finish and was, like, ‘Oh, I play guitar, however I do a lot of programming.’ And he was a giant a part of that digital techno rave sound that made Wisconsin Dying Journey not simply an industrial album, however virtually like a techno rave evil disco album.”
Reflecting on the affect of Static-X’s revival, Edsel spoke to the band’s continued legacy and its attraction to new followers. “So all 4 of these guys collectively are accountable for that sound, and to assume that these guys wouldn’t be capable of exit and have fun the anniversaries of that album that went platinum, it wouldn’t have been truthful. So I’m actually completely satisfied for them as a result of it was such an achievement for all of them. And in addition for Wayne’s household who’s been a part of this with us the entire time and will get to observe their son’s band go to a different stage, which — and I say this with respect, ultimately, Wayne wasn’t doing effectively and the group wasn’t actually supporting his decisions anymore both. And rightfully so. So he is caught up in all of this refound success. And in some ways, it permits us to form of overlook these darker years on the finish the place he was type of phoning it in and did not care anymore as a result of he was simply caught in one other journey.”
By this journey, Edsel believes that Wayne’s spirit and music stay as highly effective as ever. “So it is very nice for the legacy of the entire thing that the band has been so profitable in bringing it again and bringing it to a brand new era of followers that may recognize it. And I can say with probably the most purity on the planet that there is no doubt in my thoughts Wayne Static is extra on the minds and within the hearts of the followers than he is ever been. And what extra are you able to ask for than that?”
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