KERRY KING On Why He Shouldn’t Have Taken A Flat Rate For His 1986 BEASTIE BOYS Guest Spot

1986 – Slayer is recording their thrash masterpiece Reign In Blood and Beastie Boys had been recording their landmark rap rock album Licensed To Ailing. Each albums had been recorded by producer Rick Rubin, who had the thought to get King in on a visitor spot for Beastie Boys‘ monitor “No Sleep Until Brooklyn”. King performed the spot, obtained just a few hundred bucks, ultimately appeared within the glam metallic music video for the music, and that was that.

Now in a brand new interview with Border Metropolis Rock Speak, King jokes that his life would in all probability be means simpler if he took royalties on the music as a substitute of the flat fee. However King was broke on the money and time was cash, and everyone knows how that goes.

“The simplicity of it’s what’s humorous about it,” stated King. “We had been doing what grew to become the Reign In Blood album and the Beastie Boys had been doing Licensed To Ailing in the identical studio – like down the corridor from one another.

“And Rick Rubin was doing each initiatives. In order that they wanted a lead on that individual music, ‘No Sleep Until Brooklyn’. So I considered it, and I went, ‘Yeah, why not? I can use a pair hundred bucks.’ I actually wasn’t effectively to do again then. So, that is what I did. I went in there and I did it. And in hindsight, I want I did not receives a commission. I want I took 1 / 4 level or one thing, as a result of now I’d be a wealthy man!”

Licensed To Ailing has since gone on to promote 10 million copies in the USA alone, so yeah – King in all probability would’ve carried out fairly effectively for himself in the case of royalties. However King additionally bought a house in Las Vegas a few years back for near $4 million, so it is in all probability protected to imagine that he is not doing poorly both. The man was in one of many greatest metallic bands of all time, y’know?