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In a Violent Nature, it has such reverence for the supply materials that when the film does go in its personal route, it stands out. Whereas the film’s most blatant scorching take is its third-person behind-the-killer perspective, it’s not the one trick Nash has up his sleeve. The movie has been described as an “ambient slasher” attributable to its lack of music.
As an alternative, the movie provides Johnny a pure soundtrack filled with forest sounds. As he stomps by the leaves and brush, a cacophony of chicken chirps and bug buzzes punctuate his footsteps. To say this film was going for a specific temper and tone is an understatement.
Maybe the film’s largest deviation from its slasher ancestors is its last lady, Kris. Moderately than a knockdown, drag-out last battle between her and Johnny, we get…PTSD? You may discover In a Violent Nature‘s last moments irritating for those who hate obscure endings.
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