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By Chris Snellgrove
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For probably the most half, viewers reception to Star Trek: Unusual New Worlds has been fairly optimistic because of the gifted forged, stable writing, and insanely excessive manufacturing worth. Nonetheless, for a lot of Star Trek followers, this present has had one misstep: the musical episode “Subspace Rhapsody.”
Admittedly, this episode pales compared to extra profitable musical episodes like Buffy the Vampire Slayer’s “As soon as Extra With Feeling” and the songs could possibly be a little bit (okay, a lot) catchier. Nonetheless, I consider followers ought to nonetheless respect this controversial episode as a result of it proves that the writers of sci-fi’s finest franchise are nonetheless keen to take inventive dangers.
As longtime Star Trek followers know, the franchise hasn’t at all times exhibited the creativity that went into the musical episode of Unusual New Worlds. For instance, early episodes of The Subsequent Technology recycled scripts written for a canceled Unique Collection sequel present which might have launched new characters like Decker and Ilia. These characters had been later recycled for Star Trek: The Movement Image and later impressed the characters of Riker and Troi in TNG.
The franchise has had another by-product moments, after all. Deep House 9 (a private favourite) has lengthy been accused of ripping off Babylon 5, and Star Trek: Nemesis is a lame retread of The Wrath of Khan. Talking of Wrath of Khan, its nebula battle sequence was taken and recycled for episodes of The Subsequent Technology and even Picard.
Star Trek has a protracted historical past of being by-product. Unusual New Worlds’ musical episode is a refreshing reminder that the franchise remains to be able to shocking us.
That didn’t hold many followers from wringing their palms about every part from the plot to its lyrical execution. Like a real geek refrain, most of those irritated followers joined their voices to make a singular pronouncement: “Star Trek shouldn’t have a musical episode.” These followers have a really mounted concept of what the franchise ought to and shouldn’t do, and like a poorly-trained targ, they’re at all times ready to pounce on any episode or movie that deviates from what they think about Star Trek needs to be doing.
Nonetheless, that is the type of myopic view that does greater than maintain the franchise again. If such followers had their method, the franchise would have died a long time in the past.
The Subsequent Technology is taken into account the very best Star Trek show by many older followers, however not solely was this sequence very totally different from The Unique Collection, it didn’t attain true greatness till it was freed from the affect of franchise creator Gene Roddenberry.
In flip, Deep House 9 turned the true biggest Trek present ever made by explicitly ignoring the storytelling restrictions of earlier exhibits. These together with Roddenberry’s ban on creating battle between characters.
Regardless that I can’t hum a single tune or bear in mind a single lyric, I love Star Trek’s first musical episode as a result of it proudly ignores all the foundations. Traditionally, Star Trek has been held again by followers who need nothing greater than to slingshot across the solar and return the franchise to some imagined golden age (just like the ‘90s).
Star Trek would by no means have survived if the writers hadn’t been keen to take dangers, and Unusual New Worlds’ writers have realized a strong fact: Star Trek will be something. I ought to by no means once more be held again by cranky followers who’re unwilling to place down their TNG DVD units and admire a franchise that has lastly remembered the knowledge of James T. Kirk: “Danger is our enterprise.” Unusual New Worlds is able to lead us into a greater, brighter, and bolder future, one episode (and, sure, one tune) at a time.
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