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Because the present’s composer, Jeff Russo, later mentioned, he was reviewing this scene again when it solely had temp music in it. His reminiscence was a bit fuzzy, however he recalled that “perhaps Tilly was listening to some music or one thing.” At this level, the Star Trek composer had an awesome concept that he ran by Alex Kurtzman: he needed to do “an eight-bit digital model” of the present’s theme track.
It’s simple to miss the presence of the Star Trek: Discovery theme track on this scene, and that’s by design: as Russo described it, he needed to “sneak the primary theme in,” and it could go principally unnoticed as a result of it “doesn’t sound like our rating” and “it’s not very like our present to have this second.”
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