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From humble beginnings as a one-day occasion within the Discovery Park of Sacramento, California in 2012, the Aftershock Competition has grown to a 4-day extravaganza of onerous rock and heavy steel bands, boasting attendance properly past its preliminary 13-14,000 numbers.
With legions of followers numbering over 160,000 and an enormous lineup of acts now protecting 5 completely different phases, Aftershock has come to face as promoter Danny Wimmer Current’s West Coast reply to his personal famed juggernauts Welcome To Rockville and Louder Than Life festivals East of the Mississippi, and likewise as a sworn statement to rock music’s continued marketability within the stay circuit amid altering musical landscapes, and its 2024 version proved to easily take issues up a notch.
Day One: Celebration Begins with Eclectic Mixtures of Kinds And Culminates In Literal Hellfire With Slayer’s Triumphant Return
The early afternoon of October 10th, 2024, noticed day one kick off with numerous performers, working the gamut of recent rock stylistic expressions. Among the many standouts had been Southern rocker from the higher Midwest Tim Montana and his help band packing a concise set of attitude-laced energy that betrayed his affinity and previous work with the likes of Jerry Cantrell and Child Rock, whereas the heavy grooves of Bakersfield, California various steel stalwarts Adema set the plenty in movement by way of a brooding, seven-song set.
Half an hour was all that the flamboyant trendy rock upstarts The Funeral Portrait wanted to show heads with a mix of quirky theatricality, emo-tinged stylings, and hard-hitting hooks. Shortly after newcomer post-grunge outfit Return To Mud, managed by Danny Wimmer himself, additionally gained over many concertgoers with a concise set of banger entries and the suitable mix of stage charisma and impactful vitality.
Frequent competition fixtures and Atlanta, Georgia-born nu-metal icons Sevendust pulled zero punches throughout a pummeling set on the Shockwave Stage and misplaced none of their thunder regardless of longtime lead guitarist Clint Lowery being absent. In his place, Tim Tournier made a powerful displaying on the 6-string and proved to fill Lowery‘s sneakers with aplomb, although as all the time lead vocalist Lajon Witherspoon stole the present together with his vibrant stage presence, filling the air together with his highly effective voice whereas throwing his physique and big dreadlocks into every be aware.
By mid-afternoon stage setups would turn out to be extra elaborate; with 90s hip hop and rap rock trailblazers Cypress Hill bringing in a collection of raised platforms for the drums and turntables at both sides and an enormous cranium close to middle stage as they revved up the plenty with ringer performances of classics like “Hits From The Bong” and “Insane In The Mind”. Issues took a flip into darker and extra considerate territory with the arrival of Chicago industrial steel titans Ministry upped the ante even additional over on the Jack Daniel’s Stage with an enormous LED display screen sitting behind a big iron cross prop as Uncle Al and firm delivered a pummeling show of mechanized aggression and politically-charged messaging, coming to a head with blowout performances of “N.W.O.” and “Jesus Constructed My Hotrod”.
New York hardcore stalwarts Biohazard exhibited complete grace beneath strain as a collection of technical points with their tools had them beginning their set on the DWPresents Stage 20 minutes late. However as soon as the music began they shortly discovered their groove, with guitarist/vocalist Billy Graziadei even stepping out to the barricade and climbing over some folks, finally standing on some shoulders whereas laying down one pummeling riff after the following.
Trendy rock icons Halestorm proved no much less formidable from the Shockwave Stage beginning at simply earlier than 5 PM increase upon their current and exhilarating presentation at Louder Than Life. Maybe the truth that this present day was additionally frontwoman Lzzy Hale‘s 41st birthday was an element, because the sheer degree of vitality and enthusiasm that she and the remainder of the band projected to the group was on one other degree all through their 50-minute efficiency.
The reprising of current competition performances continued with Rammstein helmsman Till Lindemann by way of the Jack Daniel’s Stage, although this time across the LED screens on stage gave forewarning to the specific content material about to unfold with a “Viewer discretion is suggested” banner. The outlandish costumes sported by Until and his help band alone merited an completely mature viewers, not to mention the raunchy lyrics and lascivious visuals that had been conveyed as they barreled by way of graphically infused dosage of pummeling guitars and weird stage antics. In the meantime, nu-metal purveyors with a penchant for the economic Static X did their greatest to match the visible extravaganza of Lindemann‘s quirky theatrics over on the DWPresents Stage with a extremely elaborate show of smoke, bubbles, and lighting results to accompany their mechanistic medley of metallic anthems. The visible largess was matched by an enormous sound that continued all through their early night, 10 songs set as frontman Xer0 continued to faithfully emulate the persona of Wayne Static roughly a decade after his tragic passing.
The Shockwave Stage lived as much as its identify on the stroke of seven pm when groove steel icons Pantera made their presence identified with the subtlety of a sledgehammer to the cranium. Zakk Wylde reprised his position as stand-in for the dearly departed guitar god Dimebag Darrel to a convincing finish, as did Anthrax‘s personal Charlie Benante for drummer Vinnie Paul, however from the opening resound of heavy-hitting opener “A New Degree” to excessive octane thrasher and nearer “Fucking Hostile”, the 4 males on stage masterfully walked the road between paying tribute to the aforementioned Abbott brothers and laying down the steel regulation for the following era. It was a clockwork reprise of the presentation that they’ve dropped at the desk for the reason that revival of the band as a touring act 2 years in the past, but it surely was no much less poignant and no much less highly effective.
The harrowing apex of this primary day of rock and steel fervor culminated with the arrival on the Jack Daniel’s Stage by San Francisco Bay Space thrash steel originals, Slayer. Phrases like “again with a vengeance” simply do not fairly specific the utter magnitude of uncooked energy and visible mayhem that unfolded. Pyrotechnics that appeared to scorch the sky above often blazed forth amid a barrage of dancing lights and two gargantuan LED screens showcasing detailed footage of each minute on stage, captured by 26 completely different cameras that had been additionally filming this extravaganza for posterity’s sake.
After a five-year break that actually felt like an eternity, Slayer got here again not simply to carry out however to decimate all the things of their path. Their grueling, 20-song set featured began with the ominous notes of the intro for “South of Heaven”, and from there on, it was a relentless onslaught. Noteworthy classics like “Raining Blood”, “Seasons in The Abyss” and “Black Magic” alongside newer sonic kill classes like “Repentless” and “Jihad” sounded as punishing as they ever had been, leaving little question as to why Slayer will all the time maintain the throne of uncompromised kings of thrash steel.
Tom Araya‘s voice was charged with a forceful mix of grit and hearth, Kerry King and Gary Holt traded riffs and solos to fiery outcomes, and Paul Bostaph‘s relentless velocity beats introduced the thunder to the remainder of the band’s lightning and rain. It was a faultless show of fury and dominance, elevated by the worship-like clamors of 1000’s of voices: the simple show of energy from a band which may have been absent however by no means actually left. A becoming finish to a day measured in decibels, the world is a significantly better place now, as a result of Slayer blessed our darkish hearts as soon as once more, coming again to ship yet another “Divine Intervention.”
Day Two: An Explosive Barrage of Punk, Metallic, and Alt-Rock Dominates The Soundwaves
The second day of Aftershock 2024 kicked off with a mighty roar on the DWPresents Stage courtesy of San Francisco post-hardcore energy trio Black Map. Underscoring their sonic credentials, which had seen them tour with the likes of Bush, Chevelle, and Circa Survive, they made a mighty ruckus throughout their quick set with such auditory diamonds within the tough as “Disintegrate” and “I am Simply The Driver”, fueled significantly by the extraordinary but clean vocal presence of bassist and helmsman Ben Flanagan, however standing on the high of a powerful wall of sound supplied by the remainder of the fold.
A little bit previous the stroke of midday Los Angeles onerous rock outfit Budderside made their presence identified on the Coors Gentle Stage. Sticking to the identical streamlined set that garnered them a powerful viewers response on the Louder Than Life competition a couple of weeks again, they labored the group properly as they displayed their old-school mixture of 80s rock and gothic stylistic trappings. Lead vocalist Patrick Stone projected his ordinary mix of charisma and energy, whereas guitarist Sam Koltun and the remainder of the quartet exuded a poise and technical aptitude that capped off a powerful 25-minute efficiency.
Des Moines nu-metal upstarts Vended delivered an enormous displaying from the Shockwave Stage beneath a very punishing solar. They entered the stage to the delicate and consonant fanfare of Mushy Cell‘s hit “Tainted Love”, which functioned as a type of simple listening fake-out that additional drew out the uncooked aggression that will comply with with metallic staple entries like “Ded To Me” and “The Far Facet”, accompanied by correspondingly violent motion by every member of the fold. Lead vocalist Griffin Taylor (son of Slipknot‘s personal Corey Taylor) led the cost as he shouted to the heavens and effortlessly labored the group to a mighty roar.
Mexican onerous rock trio The Warning got here rocking subsequent, donning signature black outfits and interesting the group with the identical enthusiasm and vitality that has made them common competition fixtures. Lead vocalist and guitarist Daniela Villarreal was the same old present stealer amongst this three-sister outfit, functioning as each of the Wilson sisters of Coronary heart and likewise bringing the angle of Joan Jett to bear on every chapter of their 9-song showcase. Nonetheless, the stage present of bassist Alejandra and the ruckus raised by drummer Paulina had been to not be discounted and performed an integral position within the boisterous crowd response they’d garnered.
New York Metropolis pop-punk trustees with a aspect order of emo Bayside drew an immense crowd to the Soundwave Stage at 10 minutes 5 PM. Consonant melodies delivered in speedy succession and an emphasis on an upbeat but brooding demeanor was the identify of their sonic recreation as they projected an enormous degree of kinetic vitality between every respective member, although it was robust to take one’s eyes and ears off the show placed on by guitarist and frontman Anthony Raneri as he ushered within the sea of transferring our bodies under.
The New York punk rock theme would get a second enhance courtesy of Ramones drummer Marky Ramone‘s band, joined by none apart from Prong‘s personal Tommy Victor on guitar. The nostalgia that rang out as this punk unique ran by way of a medley of Ramones classics was palpable and commanded a legion of followers to sing alongside to such famous staples as “Teenage Lobotomy”, “Beat On The Brat” and “Gimme Gimme Shock Remedy” like a time machine again to 1977.
Rounding out a punk trifecta within the late afternoon, melodic hardcore masters from Chicago Rise Against had been in uncommon kind as they rocked out on the Shockwave Stage. Although by no means slouches within the vitality division, this quartet appeared additional participating and entertaining as they explored each crevice of the stage whereas remaining laser-focused on the group. Throughout a riveting efficiency of “Give It All”, lead vocalist and guitarist Tim McIlrath took the event to maneuver to the barricade, and proceeded to high-five and seize the arms of attendees within the entrance of the pit whereas hitting each be aware, underscoring 50 minutes of precision-based but natural showmanship.
The onset of nightfall proved the proper circumstance for gothic various steel icons Evanescence as they introduced their elaborate present to the Jack Daniel’s Stage at 1 / 4 previous 7 pm. A heavy share of their set was dedicated to their newest and 2021 album The Bitter Fact, with entries like “Damaged Items Shine” and “The Recreation Is Over” being featured alongside basic bangers “Going Below” and “Product of Stone” to the elation of the viewers. Amy Lee was a continuing point of interest of ardour and vitality as she shifted backwards and forwards between animated crowd work from behind the microphone to a extra static bodily state behind the piano. However as anticipated, the coup de grace of their set was the closing hurrah of “Carry Me to Life” amid an explosive dance of lights and distorted guitars.
Quirkiness with a watch to the experimental would draw a large crowd over on the DWPresents Stage courtesy of Daron Malakian And Scars On Broadway. Although vocalist and guitarist Daron Malakian‘s showcase carried an apparent affinity with the eccentricities of his former outfit System Of A Down, the evening sky and the group noticed a far much less frenetic and extra intimate persona on stage that correctly mirrored his meant function behind the band. It wasn’t fairly a one-man present given the presence of three help members, but at each flip from the somber reflections of “Weapons Are Loaded” and the simple rocking of “World Lengthy Gone”, there was an simple line of communication conveyed virtually completely from Daron‘s voice to the group, and a haunting one besides.
Groove steel mainstays Five Finger Death Punch put a lid on the night festivities within the Shockwave Stage with an explosive displaying that lit up the skies above and each soul standing beneath. Ivan Moody as soon as once more noticed a child and his father or mother within the viewers and introduced them on the stage (this child’s first identify was Dexter), plus requested the viewers to cheer for him as he “represented the brand new era of rockers.” Ivan additionally threw a bunch of Five Finger Death Punch coined 5-dollar payments to the viewers all through their efficiency, which consisted of a modified and extra streamlined music choice from the one they dropped at Louder Than Life. Drummer Charlie Engen delivered an enormous solo throughout their rendition of “Burn MF”, and lead guitarist Andy James continued to seamlessly fill the sneakers vacated by Jason Hook a couple of years again, but it surely was a collective endeavor by the entire band that took an impact-based day of rock and steel to a fittingly explosive finish.
Day Three: Outdated-Faculty Metallic Reigns Supreme as Iron Maiden and Judas Priest Ship Monumental Performances
If the primary day noticed the steel contingent approaching important mass, Day 3 would see its explosion, although the ultimate buildup commenced on a gothic/various be aware at 1 PM on the Jack Daniel’s Stage courtesy of Anaheim’s personal New 12 months’s Day. Founder and lead vocalist Ash Costello effortlessly remained the focus of the band each in efficiency and visible presentation, eliciting a wild crowd response whereas laying down the heaviness all through their 6-song set, hitting the very best peak with their interpretation of Pantera‘s “Fucking Hostile” about midway by way of.
The Shockwave Stage noticed an enormous flip in the direction of old-school blues rocking nostalgia by way of Lengthy Seashore’s Rival Sons. This quartet’s affinity for the glory days of Led Zeppelin was worn on their proverbial shirtsleeves all through their riveting Seventies-obsessed half-hour set, spearheaded by Jay Buchanan‘s unapologetically Robert Plant-oriented vocal efficiency and stage presence, although one could be remiss to low cost the efficiency of Scott Vacation‘s guitar work and the jam band-like rhythm part laid down by Mike Miley on the equipment and Dave Beste on bass, codifying a soulful and radically completely different strategy from the lion’s share of bands to rock this competition.
The main target shifted again to a modernized aesthetic as New York industrial meets nu-metal trailblazers Dope delivered a displaying that underscored the constructive sense of their identify from the Shockwave Stage. Having stepped as much as fill a slot left vacant by Coal Chamber‘s recent cancellation, their heavy anthems had been delivered at most quantity, which exploded into an early climax throughout “Carry It On”, which was solely the second entry of their 6-song set and wouldn’t be rivaled till their ultimate quantity and signature cowl of Useless Or Alive‘s “You Spin Me Spherical”. Helmsman Edsel Dope additionally proved a grasp at crowd interplay, and even jokingly stated to members of the viewers smoking joints that he would be part of them if he might.
The beginnings of a steel meltdown had been within the air surrounding the Jack Daniel’s Stage as New York thrash titans Anthrax ushered in a quick but blistering efficiency. Each member of the fold was a lightning bolt of kinetic vitality, particularly vocalist Joey Belladonna as he frolicked about like a wild man barely out of his teenagers, particularly throughout their raucous ultimate hurrah efficiency of “Indians” the place he sported his signature headdress. Not far behind was returning bassist Frank Bello, who in some way managed to be in fixed movement when not helping Scott Ian with gang vocals and whose mad bass strains on “Caught In A Mosh” and their cowl of Joe Jackson‘s “Received The Time” minimize by way of the air regardless of the deafening battery of Charlie Benante‘s frenetic drum work and the mad thrashing riff assault of Ian and lead guitarist Jon Donais.
Put up-grunge mainstays Staind introduced the tempo down a bit over on the Shockwave Stage throughout an overlapping set with the beforehand famous thrashers that culminated in a well-polished and seemingly heavier-than-usual presentation of seven of their signature anthems. Frontman and rhythm guitarist Aaron Lewis retained his signature brooding and intimate presentation and caught near the microphone for many of their 50-minute run, whereas the remainder of the band dealt with nearly all of the non-verbal crowd work and stage gesticulations. The viewers naturally roared the loudest for smash hit energy ballad “It is Been Awhile” and nu-metal infused nearer “Mudshovel”, but it surely was a boisterous response from begin to end.
Wilkes-Barre, Pennsylvania natives Breaking Benjamin ushered a relatively darkish and confessional post-grunge musical presentation with a notably upbeat sense of vitality from the Jack Daniel’s Stage, shortly after. The early warning of nightfall that hung within the air firstly of their one-hour set performed completely into their vibrant visible presentation, which featured heavy use of pyrotechnics and lights. Amid the marathon 13-song set of somber energy balladry and mid-paced heavy rock was the persona of lead vocalist Ben Burnley, who as soon as once more took the event to deliver his son on stage and self-deprecatingly advised the viewers that his music was in coaching to be his substitute sooner or later, even going as far as to say that sooner or later he’ll take a secondary and let the younger man take the highlight.
Los Angeles-born crossover thrash and rap steel icons Body Count conveyed their model of madness to the DWPresents Stage for a blistering 45-minute run simply earlier than 7 PM. Frontman Ice-T took his man of the folks shtick to the viewers with zero inhibitions and famous between songs that he most popular acting on phases for better interplay with hardcore followers. Nonetheless, the bigger viewers space surrounding the stage proved mandatory given the huge crowd that flocked to witness the metallic carnage. Together with a harrowing rendition of Slayer‘s “Raining Blood” and “Postmortem” to kick issues off, a key focal point was a brand new providing in “The Purge” off their soon-to-be-released album Cruel, which went over with equal fervor, and featured Ice-T‘s son Little Ice, who has been with the fold since 2016, taking place to the barricades to rev the viewers up additional with a V For Vendetta masks on.
The elation that erupted across the Shockwave Stage to the phrases “Good night Sacramento, the Priest is again!” was so intense it might have cracked the sky, and British heavy steel colossus Judas Priest was greater than equal to the event. Decked out in his signature black leather-based apparel and chains, Rob Halford was a raging ball of flames from behind the microphone regardless of his superior years and might need shattered each window within the place together with his piercing excessive notes had it been an indoor efficiency. The gang was equally on hearth in response, answering with deafening cheers and transferring our bodies whether or not it was new entries like “Panic Assault” and “Invincible Defend” or classic metallic bangers like “Hellbent For Leather-based” and “Breaking The Legislation”, although issues acquired particularly explosive through the excessive octane cruisers “Painkiller” and “Fast Hearth”, which left all in attendance with the rationale why this quintet is commonly credited with pioneering velocity steel.
The arrival of nightfall introduced an applicable darkness to the ambiance circa 8 PM when New Jersey Deathcore trustees Lorna Shore manned the Coors Gentle Stage. The sheer degree of sonic brutality that commenced appeared to switch all inside its attain to an alternate actuality. Pyrotechnic flames reached upwards of 10 ft into the air in speedy succession, smoke canyons and explosions whereas guitarists Adam De Micco and Andrew O’Connor and bassist Michael Yager stood stoically behind their devices as if deep in meditation. Lead vocalist Will Ramos seemed like something apart from a human being from behind the microphone, laying down harrowing and barely understandable screams and shouts to their opening efficiency of their lauded – and unhuman-vocals pervaded – single “To The Hellfire” as if he had been factually taking the group there. The epic rendition of the 3-part collection “Ache Stays” that closed off their cataclysmic 45-minute set was additionally a useless ringer for its studio model and saved the ocean of our bodies under in a relentless state of violent movement.
The ultimate hurrah on this night of heavy steel triumph and one of many two coup de grace of Aftershock 2024 was reserved for NWOBHM originals and legendary masters of galloping heavy steel, Iron Maiden. True to the textbook idea of a headlining band, this six-piece fold of veteran virtuosos introduced the definition of steel over a marathon 2-hour set. Bruce Dickinson might very properly have been the ringleader of a grand circus as he ran about an elaborate stage setup – a tad extra restrained than what’s used throughout their ongoing headlining area tour – with blaring explosions and lights dancing over a futuristic backdrop, switching his attire between songs to embody no matter lyrical theme a given music was protecting. Newer entries from their 2021 album Senjutsu like “Writing on The Wall” and “Days Of Future Previous” garnered an explosive response as effortlessly as frequent stay staples “Can I Play With Insanity” and “Worry Of The Darkish”.
But the moments the place issues actually delved into the magical territory had been when the acquainted staples and token new songs had been foregone in favor of deep tracks from Maiden‘s usually neglected 1986 album Someplace In Time, which has been a focus of their present stay trek, apropos named “The Future Previous Tour”. Deep tracks like the 2 opening punches of “Caught Someplace in Time” and “Stranger in A Stranger Land” gripped each core fan to their very core as successfully as extra frequent choices from stated album in “Heaven Can Wait” and the closing encore efficiency of “Wasted Years”. Nevertheless it was the long-awaited addition of the mid-80s epic “Alexander the Nice” that finally stole the present, showcasing the top of the band’s technical aptitude and transporting all in attendance again to the times when Hellenism virtually conquered your entire world. All in all, no thriller remained for any in earshot of this grand extravaganza as to why Iron Maiden has remained an area staple all through the world for practically 5 a long time.
Day 4: Explosive Units from Disturbed, Shadows Fall, and Tom Morello, Amongst Others, Shut Out a Celebration of Aggression and Vitality
The fourth and ultimate hurrah witnessed a musical celebration that was drawing to a detailed whereas refusing to turn out to be a denouement. Among the many bands performing through the early hours of the afternoon, followers had the possibility to leap onto a time machine into the 2000s by the hand of other/industrial steel executors Powerman 5000. Their inventory in commerce was filled with vitality as frontman – Rob Zombie‘s youthful brother Spider One – saved the plenty on their toes and transferring about, rivaled in stage presence primarily by bassist Murv3 rocking an agro, multi-colored coiffure whereas mimicking the actions of a crazed robotic. For your entire half hour that this nu-metal mainstay rocked the stage, the viewers was perpetually off the hook.
The nu-metal precedent of the day was taken into extra of a hip-hop path with the arrival of Lancaster, Pennsylvania natives From Ashes To New. The dueling voices of frontman Danny Case‘s forceful but tuneful wail and the rapper counterpart of multi-instrumentalist Matt Brandyberry channeled the early days of Linkin Park all however to a fault, and the combination of digital ambiance and down-tuned stomping riffs had the group bouncing all through their half an hour efficiency. It was largely an train in enterprise as ordinary for people who have caught them on tour or at prior festivals however delivered with no scarcity of enthusiasm or energy.
The trendy steel template took on a much less predictable character simply after 2 PM on the Jack Daniel’s Stage with the arrival of Ukrainian metalcore sensations Jinjer. Usually pigeonholed within the media as simply one other adherent to a mode that is been common for the reason that late 2000s, they threw down a powerful 7-song set that underscored their extremely progressive and individualistic character, spearheaded by a extremely theatrical and relentless displaying by frontwoman Tatiana Shmayluk that put as a lot emphasis on her eclectic vocal talents as her exterior allure. The one query that was left unanswered by this virtuoso quartet is how they managed to challenge such uncooked vitality whereas decked out in completely black apparel regardless of the punishing temperatures.
San Antonio’s trendy steel advocates Nothing More rocked the plenty one thing fierce from the Shockwave Stage, as their extremely charismatic impresario and lead vocalist Jonny Hawkins labored the plenty in masterful kind and mesmerized together with his distinctive and extremely versatile mix of unpolluted and soiled vocal timbres – regardless of combating mic points through the first two songs. He was joined on stage by none apart from Disturbed‘s David Draiman for a rousing duet efficiency of their not too long ago launched single and rocking banger entry “Angel Music”, consistent with the unique studio model. It was a excessive level of a persistently energy-packed set, and likewise one that’s prone to be reprised many instances in 2025 as Disturbed‘s upcoming tour celebrating the 25th anniversary of The Illness will see Nothing Extra as one of many openers. Is simple at this level that these guys are going locations, and I can foresee them because the competition’s headliners in lower than a decade.
The Soundwave Stage grew to become floor zero for probably the most brutal efficiency of the day at near half previous 5 PM, courtesy of Boston, Massachusetts metalcore/thrash steel juggernauts Shadows Fall. This event marked their first look on the West Coast in over a decade, and so they pulled zero punches in delivering the depth issue to the California plenty. It was only one thrashing entry after one other, culminating in 11 fast-paced entries of uncooked aggression delivered with close to equal fervor by every of the group’s 5 members, although vocalist Brian Truthful usually grew to become the plain point of interest, particularly throughout their rendition of “What Drives The Weak” by leaping from the stage and crowd-surfing whereas persevering with to sing. To say that this crowd took this once-in-a-decade event to get as riled up as doable would have been an understatement, because the mayhem that occurred rivaled virtually any of the most important turnouts of the 4 days.
Rage Against The Machine and Audioslave guitarist and virtuoso Tom Morello drew a powerful crowd to the DWPresents Stage within the early night, closely that includes acquainted materials from each bands in query and showcasing his extremely expert capability on the six-string. The present opened with a efficiency of “Soldier In The Military Of Love” together with his 13-year-old son Roman additionally on guitar and exemplifying an identical degree of competence on the instrument, ripping some spectacular guitar solos and even enjoying behind his head whereas the group erupted – noteworthy to say that Morello stated he wrote that music with Roman. Acquainted entries from Morello‘s intensive physique of labor additionally made the set, together with two explosive medleys of basic RATM entries and a bombastic rendition of “Killing In The Identify”, which had been the information of a powerful and politically permeated, 45-minute sonic iceberg.
As twilight light and darkness set in, we had the possibility to take pleasure in a ringer efficiency by steel icons Disturbed, in what grew to become the final set we witnessed. It was largely a reenact of the 13-song slough that they delivered to the Louder Than Life plenty a couple of weeks prior, however they carried with much more hearth and depth, simply making them a standout efficiency among the many tons of of bands that graced the Aftershock phases. Dancing lights and big pyrotechnics capped off an energy-infused efficiency as heavy-hitting bangers like “Ten Thousand Fists” and “Indestructible” crammed the air with pummeling grooves and infectious hooks. David Draiman‘s raspy shouts had been matched by his ordinary sense of neighborhood, taking a number of moments to speak to the group concerning the message behind a number of of their set’s signature entries and inspiring solidarity amongst all in attendance. It was an exemplary show of metallic aggression with a watch to viewers participation and accessibility, and got here to its ordinary head with bombastic renditions of “Down With The Illness” and “Inside The Hearth” on the tail finish of their 70-minute run.
Boasting a colossal lineup of prestigious acts that seamlessly bridged the divide between rock and steel’s previous and the style’s rising stars, Aftershock 2024 embodied the true essence of a stay music competition at its peak. With twelve years of ever-growing success now behind it, the way forward for this West Coast powerhouse stays an thrilling thriller, destined to push the boundaries of rock and steel even additional — and we’re lucky to be alongside for the experience.
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