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At its core, Shin Godzilla is concerning the crimson tape and forms of recent authorities, which the filmmakers appear to view as a hindrance to any progress. As Godzilla emerges from the ocean and begins wreaking havoc on Tokyo, authorities officers spend hour after hour debating which convention room they need to use in an effort to talk about an answer to the upcoming risk, all whereas the individuals on the bottom stage concern for his or her lives.
Whereas my description might not do the movie justice, the stark juxtaposition of ineffectual authorities hand-wringing and dry deadpan humor laced all through the movie make it the most effective Godzilla film I’ve ever seen.
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