Breaking — previously referred to as breakdancing — has made its Olympic debut. This avenue dance fashion emerged within the Bronx throughout the Nineteen Eighties, evolving alongside hip-hop music and pioneered by Black and Latino youth.
At the moment, it is each an athletic pursuit and an artwork type, with B-girls and B-boys competing in round-robin ciphers. Probably the most thrilling facet? Breaking is inherently impromptu. Dancers cannot pre-plan their strikes or routines; they do not even know the music they’re going to carry out to.
This spontaneity may clarify the thrill round Raygun‘s efficiency at at the moment’s championships. The Australian B-girl has grow to be an web sensation, sparking memes, critiques, and reward on-line.
Many felt her expertise did not fairly match her opponents. However hey, she gave the impression to be having a blast.
Raygun — aka Dr. Rachael Gunn — is 36 and began breaking in her mid-20s, Reuters stories. She’s additionally an academic, instructing at Australia’s Macquarie College with a Ph.D. in Cultural Research.
Watch that from a distinct angle.
Her thesis? “Deterritorializing gender in Sydney’s breakdancing scene: a B-girl’s expertise of B-boying.” She’s no newcomer to this scene!
Whereas she could not have been a prime contender, she probably knew that moving into. Talking of opponents, she wasn’t the day’s solely standout. Regardless of spectacular strikes, U.S. B-girl Logistx did not advance previous the quarterfinals. However she positively rocked it.
Sunny Choi, the opposite U.S. B-girl, introduced superb vitality to her battles (my favourite second was when she pretended to shot-put her opponent into the group throughout her face-off with India). Whereas it is a disgrace neither U.S. B-girl moved ahead, they nonetheless wowed viewers at residence.
One other notable second was the pre-qualifier battle between Manizha Talash, an Afghan B-girl competing for the IOC Refugee Olympic Crew, and India Sardjoe from the Netherlands. Throughout her efficiency, Talash revealed a cape studying “FREE AFGHAN WOMEN.”
Personally, I used to be blown away by India, a really fierce competitor, and France’s Syssy, a 16-year-old who flipped and spun like gravity did not exist; at one level, she even spun on her elbow. I additionally liked watching China’s Ying Zi, who confirmed distinctive musicality and unimaginable power.
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